With shadows of the disastrous "Good Vibrations" falling over nostalgic rock 'n roll Broadway productions, expectations for "All Shook Up," a musical based on Shakespeare's "Twelfth Night" integrated with Elvis' music and personae were, at best, low. But
writer Joe DiPietro and director Christopher Ashley have managed to create the most enjoyable and effervescent Broadway musical since
"Mamma Mia." "All Shook Up" delivers the most fun audiences have had on Broadway in years. The good news is that
everyone whether
they are Elvis fans or not, and even whether they are familiar with his music or not, will enjoy All Shook Up. The measure of shows dependent on derivative themes and music is
whether they deliver for audiences that are unfamiliar with the originals. "All Shook Up" delivers on all fronts. Performers, led by Jenn Gambatese
and Cheyanne Jackson (in comfortable Elvis mode) never take themselves seriously and create a silly sexuality and contemporary morality
message that works at every level. Subtly inserted
into the dialogue are comments that resonate for all: "Sometimes a little indecent behavior is good for you." Long time Elvis fans will
be satisfied with the treatment of their precious Elvis memories while young teen audiences are somehow moved to scream throughout and jump to their feet for standing ovations.
Tony voters should recognize the extraordinary set design
by David Rockwell, who creates visions of open roads, roller coasters, and small town America. Donald Holder's lighting should also gain Tony
acknowledgement and Tony Woolard's costumes contribute to the overall fun.
Jack Myers Entertainment Report's entertainment rating system is based on a maximum of five jacks and a minimum of zero jacks. 0 = awful; 1 = pretty bad; 2 = okay
but don't go out of your way to see it; 3 = reasonably good but not special; 4 = very good and worth paying
attention to; 5 = exceptional. Opinions are based on my own likes, dislikes and preferences.
