Diversity in Casting and Storytelling Drives “The Neighborhood” and “God Friended Me”

Two of CBS’ big-swing freshmen series, the sitcom The Neighborhood and the spiritual drama God Friended Me, recently received well-deserved early second season renewals.  Although the shows are very different, they have successfully broached such subjects as gentrification and religion through the lens of diversity and inclusion, garnering significant viewership in the process.  The Neighborhood averages 8 million viewers weekly, while God Friended Me averages 10 million.

CBS appears not only to have listened to the ongoing conversation about on-screen representation of all people, but to have made changes behind the scenes, as well, with both shows having very diverse creative teams.  “A couple of years ago we committed to doing a better job on the diversity front and that informed a lot of our development and casting,” explained CBS Entertainment President Kelly Kahl in an exclusive interview with MediaVillage.  “The thing about The Neighborhood and God Friended Me is they weren't just about being diverse shows.  It was, here are two interesting shows with pertinent things to say about what's going on in the world today.

The Neighborhood addresses some of the divisiveness out there and shows a path for people to be able to come together and talk about their differences," Kahl continued.  "It's not homework, it's funny; and if it's not then it is not a good show.  We have a fantastic cast and producers who every week come together and hit these issues in an entertaining way.  Beyond that, it's authentic.  Diversity goes beyond the casting to the writing staff.  Oddly enough, these are things that CBS was doing in the '70s with All in the Family, The Jeffersons and Maude.  These were topics being addressed then, and not a lot of shows have addressed since.”

“Right now, we live in a time when there are a lot of forces trying to divide us and tell us as a country, and a planet, how different we are to one another,” explained Jim Reynolds, executive producer, creator and showrunner of The Neighborhood, who based the show on an experience from his own life.  (He is pictured above, left, with series star and executive producer Cedric the Entertainer.)  “Our goal is to discuss and honor some of the ways we are different, with an emphasis on how we are probably more alike than not.  I believe audiences are responding because kindness, positivity and hope are underlying themes of our show, and that's in contrast to what we are saturated with on a daily basis.

“Initially the show did skew more closely to my experience of moving to a diverse neighborhood,” he added.  “But as Cedric got involved, it evolved.  Cedric brought a perspective and insight into the characters, and [especially] the Calvin character, that I couldn’t have as a white man moving into a black neighborhood.  So, the focus of the show shifted to be more of a two-hander and it definitely [shifted] away from my experience, although a lot of the characters are drawn from people in my life.”  (Pictured below, left to right, are Neighborhood cast members Sheaun McKinney, Marcel Spears, Tichina Arnold, Cedric the Entertainer, Max Greenfield, Hank Greenspan and Beth Behrs.)

“Tonally the show became very different,” Cedric told MediaVillage.  “The main thing is, Jim was very passionate about the idea because it was true to his life experience.  His assumption was all things [he wrote about] black people were true because he thought them to be true.  I was like, ‘No, you have to make sure the black person's point of view is clear to the black person and not what the white person thinks a black person thinks.’  That was one of the things I felt was off-message early on, so Jim and I worked together in that process.  I think that's where we found that two points of view could meet in the middle and in that you have a show; not where the white and black guys are written by the white guy.

“You can't be right about all of them,” he continued.  “That's where we realized Calvin has this skewed point of view that wasn’t strictly about race.  Like a lot of people, he [judged] people on a number of different things.”

“Cedric is my closest partner creatively,” said Reynolds.  “I always listen to him and always want to know what his point of view is because at the show’s center its success rides on his confidence and his feeling about something.  It's important that I communicate openly with him to make sure he's comfortable and we're getting it right from his point of view.”

For The Neighborhood, having a mix of voices behind the scenes was of paramount importance to the storytelling.  “If you look at our writers room we are atypical of what is commonly a writers room,” noted Reynolds. “We are well represented and I'm really proud of that as I believe that lends to the authenticity of the show.”

“Diversity behind the scenes we felt was important -- and to create opportunities,” added Cedric.  “We wanted all the voices in the room to be heard and to make sure the stories told represented the people that actually lived them.  All ages, ethnicities, genders, sexual preferences -- all those things are in that room and that's what we wanted to have represented in a way that feels really good.” 

That sentiment is shared by God Friended Me star Brandon Micheal Hall, who told MediaVillage, “When I initially sat down with [our creators] Bryan Wynbrandt and Steven Lilien I asked them how diverse the writers room would be.  It shows in the scripts; how much they listen to us on and off the screen.  As the scripts keep developing it's more clear who they are specifically writing for and there have been times reading a script when I've said, ‘Hey, this is a conversation we had recently.’  They weave them in so well.  The room is diverse and everyone in there is talented.”  (Hall has more to say about the show in this interview.)

Steve Gidlow

Steve Gidlow, a long-time columnist for MediaVillage ("Behind the Scenes in Hollywood"), has written about television and pop culture since 1994, beginning in Australia.  Since moving to Hollywood in 1997, Steve has focused on celebrity interv… read more