Powerful Women Pack a Punch in “Jessica Jones”

If I had to choose a show that best reflects the tone of the times – one that seems right in line with the #MeToo and #TimesUp movements, even though it was written and produced before they became the powerful forces they are today – it would be the second season of Netflix’s Jessica Jones.  It’s all about the emotional connections that women have with other women – their mothers, sisters and friends – and the formidable strengths of those relationships.  And despite the fantasy and science-fiction and super-heroics of it all, it never hits a false note in its depiction of those bonds.  The characters are as fully realized as those in some of the best dramas in this Golden Age of television drama, and the acting is uniformly award-worthy across the canvas.  But I believe the success of this season of Jessica Jones – arguably the best season of any series in Netflix’s corner of the Marvel universe to date – is because all its episodes were directed by women, most of them were written by women, and the series has the very talented Melissa Rosenberg as its showrunner.  Who better to explore the psychological nuances of the very complicated relationships between the fearless females in this franchise?  (Note:  This column gets a bit spoilery from here on out, so anyone who hasn’t yet binged JJ and intends to do so may wish to stop and return to it at another time.)

Who cares if JJ Season 2 doesn’t have a formidable villain at the center of its 13-episode storyline (as some clueless critics have carped)?  Watching the title character and the women in her life confront their enemies (and there are plenty to go around) and their own internal demons (ditto) is way more compelling than yet another superhero tale about people with powers battling big bads.

Season 2 isn’t about a villain like the creepy Kilgrave, who despite being killed off in Season 1 makes an appearance of sorts.  (The inclusion of Kilgrave is the only unnecessary story element in Season 2, as far as I could tell, but not at all damaging to the tale being told.)  Rather, it is all about Jessica’s relationship with her birth mother, whom she has understood to be dead since a catastrophic car accident killed everyone in her family when she was a little girl and left her clinging to life.

As it happens mom wasn’t totally completely forever dead, either, and was brought back and given super strength (and a very bad temper) by the same doctor who saved and empowered Jessica.  The doctor plays a major role in the Season 2 drama, and even though he isn’t really a villain, he is guilty of playing God, something other characters intend to either hold him accountable for or take advantage of.

The rest of the story details won’t be spoiled here, with one exception, which won’t ruin anything for anyone:  Because of the ordeal she was put through and the unforeseen complications therein, Jessica’s mom is intermittently monstrous and easily driven to murderous rampages that she cannot control, sometimes by even the most minor annoyances.  But she also has a big heart.  She’s deadly, except when she isn’t, and watching Jessica balance getting to know and care about the mother she thought was dead with managing the monster she has become is a super-duper study in super-human drama.

Ed Martin

Ed Martin is the chief television and content critic for MediaVillage.  He has written about television and internet programming for several Myers publications since 2000, including The Myers Report, The Myers Programming Report, MediaBizBloggers a… read more